An open artist residency you can book like a room.

The highest room in the compound — three walls of floor-to-ceiling windows, floating above the palm canopy. A large external monitor and Yamaha studio speakers for digital work, music production, or late-night editing. A small meditation nook in the corner. You can see the whole studio from here, or close the curtains and disappear. The room that makes people extend their stay.

The room closest to the river, with a bamboo forest directly across the water. Steel-frame windows you can open wide or close for silence. A 240cm work desk — wide enough for two screens, a sketchbook, and a coffee. The studio is one floor up. You will hear the river in the morning whether you want to or not. Most people decide they want to.

The quiet room. River directly below, jungle pressing in from every direction, panoramic steel-frame windows that frame the canopy like a painting. An external monitor, a large desk, an ensuite bath, a door that actually closes. People who know the compound tend to request this one. Secretly some people's favourite — the B-side that turns out to be the better track.

A room designed as an artwork you sleep inside. Mirrors appear on surfaces you don't expect, multiplying the space into something harder to locate. A ukulele hangs on the wall. Books on making things are within reach — not as decoration, as tools. The mirror is the parallel universe. You are both versions of yourself here. The most affordable room, the strangest one.

A loft above the jungle canopy, built for people who need to produce. Standing desk, large external monitor, two beds — good for pairs working together or a solo guest who wants to spread out. A shared kitchen is one level below. The balcony is nothing but green in every direction. When people say they came to work, this is the room they book.

A private one-bedroom villa with its own pool and dedicated art studio, surrounded by working rice paddies in the village of Kenderan. Javanese craft and contemporary art throughout — handmade detail in every corner, nothing generic. A 1,000-year-old water temple and its river are next door. Twelve minutes from Ubud by scooter, worlds away in feeling. For people who need space to think before they produce. You come here when you're ready to give yourself permission to start.

The largest villa at AIR Temple — two bedrooms across two floors, a rooftop terrace with volcano views, its own private pool. A full kitchen, access to the organic garden, a standing desk in the dedicated studio. For two artists who need separate working rhythms. For a couple who want entirely different mornings. Or for one person with a project large enough to need all of it. Two bedrooms, two perspectives, another idea.

A gladak — a traditional Javanese wooden house, rebuilt and reimagined — with its own private art studio and porch. Shares the compound's large 4×10m pool, open kitchen, and bonfire area with the adjacent villa. A 1,000-year-old water temple and its river are next door. Mornings here are slow: coffee, the garden, whoever else is working that week. The hardest part of any project is the first step. This room exists to remove the excuses for not taking it.

A gladak villa with a dedicated art studio, sharing the compound's large 4×10m pool, open kitchen, and bonfire with the neighbouring house. The highest-rated space at AIR — 4.97 across 88 stays. A 1,000-year-old water temple and its river are next door. Mornings: that open kitchen is where the community breakfast happens organically, nobody planned it. The story isn't finished. You don't know what happens next when you arrive. That's the entire point.